​

In this analysis, I investigate the coexistence of the oral and writing in Texaco of Patrick Chamoiseau. I try first to explain how Chamoiseau arrived to a certain synthesis between the two registers. Then I examine the objective of the author to develop such a synthesis between oral and writing in the universe of a text. In the case of Texaco, it is not only a matter  of two ways of expression but also of two languages and two states of civilization. This expressive and linguistic lining does not depend only on the exile of many intellectuals and some other historical factors, but on a certain cultural alienation. Indeed, the Martinican identity 

oscillates between two spaces and hesitates between two languages. By this coexistence of the creole oral mode and the French writing, Chamoiseau tried to create a new style in the world of literary texts. On the other hand, this meeting of the different languages and registers creates a certain composition of elements that do not stand in a relation of opposition to each other, but of a tangle in order to communicate a world vision and to assert the original identity.