AbstractObjectives: The study aims at revealing the implications of Arab identity in the design of its sculptural models, the impact of folk heritage in reflecting visual identity, and addressing contemporary Arab sculpture and its historical identity.Methods: The researchers adopted a descriptive-analytical approach and provided an analysis of selected research samples. The research sample included significant works by the sculptor Al-Jabri, represented by the sculptures "Al-Mazawla" and "Al-Mishka."Results: The study concluded with several findings, notably that historical civilizational heritage is a significant source of inspiration for the design concepts of contemporary Arab sculptures. Visual identity is a part of the overall identity of society, reflecting its customs, traditions, culture, values, practices, and knowledge. Moreover, the design took into account all geometric aspects and precise calculations, creating a balance in the final mass. Al-Jabri relied on the golden ratios in preparing his designs.Conclusions: The study concluded that drawing inspiration from historical heritage contributed to combating the challenges of strangeness in selecting sculptural designs. Additionally, it contributed to evoking design ideas based on heritage in a modern style. The researchers recommend further exploration in research that delves into Arab heritage in design.
Objectives: The study aims at revealing the implications of Arab identity in the design of its sculptural models, the impact of folk heritage in reflecting visual identity, and addressing contemporary Arab sculpture and its historical identity.
Methods: The researchers adopted a descriptive-analytical approach and provided an analysis of selected research samples. The research sample included significant works by the sculptor Al-Jabri, represented by the sculptures "Al-Mazawla" and "Al-Mishka."
Results: The study concluded with several findings, notably that historical civilizational heritage is a significant source of inspiration for the design concepts of contemporary Arab sculptures. Visual identity is a part of the overall identity of society, reflecting its customs, traditions, culture, values, practices, and knowledge. Moreover, the design took into account all geometric aspects and precise calculations, creating a balance in the final mass. Al-Jabri relied on the golden ratios in preparing his designs.
Conclusions: The study concluded that drawing inspiration from historical heritage contributed to combating the challenges of strangeness in selecting sculptural designs. Additionally, it contributed to evoking design ideas based on heritage in a modern style. The researchers recommend further exploration in research that delves into Arab heritage in design.